This did not happen to me, but it was a close call.
Well, my head didn’t explode, so that’s good, but I had to skip most of the evening sessions and the whole of Sunday at the PNWA Writer’s Conference, or it might have. It was intense and I learned so much! And something about being immersed in an imaginarium of writers got my creative juices squirting so hard they darn near flooded me out of my own brain.
So, anyway, here is what I know: My book sucks. I have to go back to the beginning and start again.
On the other hand, I have learned things that will help me get it right. I will now share some of what I learned for the edification of fellow wannabe-serious-writers.
- Amazon is amazing. It has a bazillion (free!!!) platforms for different types of writing. Terry Persun, who gave a detailed presentation about marketing writing through Amazon, is a writer, not an Amazon employee, and by the time he was done he had me thinking “Pah! Self-publishing is clearly the way to go – I don’t even need a publisher, much less an agent!”
- Agents and publishers still regard self-published authors with suspicion. They acknowledge that times have changed, but by damn they’re taking a stand for traditional values!
- It is possible to be hungry and distracted and psyched up enough to pay $8.00 for a bottle of water and a banana. I know this because it happened to me at the hotel where the conference was held. Needless to say, I stayed a mile or two down the road at a hotel that didn’t serve bananas or bottled water at any price.
- It is also possible to be stuck with a bill for $27.00 for five hours of parking.
- Riding the bus is a relaxing and efficient way to get a mile or two down the road.
- Back story is key, and you have to write it down in something called a “bible”. This contains everything you know about every character – and when it comes to main characters, you’d better know everything – when they were born, where they went to school, that weird birthmark, sexual proclivities, number of earrings, favorite flower, verbal tics, wishes, fears and dreams – it all gets written down, and as the characters reveal themselves to you during the course of writing the book, you keep updating the bible. The bible also contains maps of any locale where any action happens, building plans, timelines – in other words, anything you could conceivably need to remember 50,000 words into the book.
- You don’t start your story with a giant dump of the main character’s entire back story. You dribble out tiny crumbs of information as you lead your reader through the forest to the witch’s house. This means that, to create believable characters, you have to do a shitload of writing that no reader will ever actually see. (How could I not know this? I did know it, but I forgot, and my first two chapters are just this giant blurghh.)
- Some things give away a person’s nationality even better than accent. For instance, I was oblivious to Cherry Adair’s South African accent, but when she mentioned Linda Goodman’s Sun Signs I had a flashback to my university days, playing glassy-glassy (aka ouija) with my friends and spending hours researching my perfect mate (as outlined in Sun Signs) while ignoring the fact that I was not, as advertised, a tall, slender, green-eyed blond. Then she talked about how all her characters have lots of hot monkey sex, but it’s important for them to have a solid back story, so that the novel isn’t just a sex book, and even though I still wasn’t sure of her accent I knew she had to be South African, because Americans don’t talk about monkeys in the context of hot sex. Anyway, apparently when Ms Adair is getting to know a character, she gives them a birthday and then looks it up in her old copy of Sun Signs, and that tells her everything about the character that she needs to know. (She figures out the sex stuff on her own.)
- According to an agent who gave a talk on “How to Hook an Agent”, it’s not that hard to hook an agent, but if they don’t pick you it’s not because your book is no good – it’s because … something about going to a supermarket to buy a snack and even though the chocolate looks delicious you walk past it because what you really want just then is popcorn. Seriously – who would do that? I didn’t get to tell him about my book, so I don’t know whether he’s a chocolate or popcorn guy. The point is, don’t feel rejected, just keep doing your chocolate (or popcorn) thing until someone eats you.
- There are many different ways to write a series, but you’ll be sorry if you try to do it without a bible.
What else? Oh – I had my first experience of meeting a blogger I follow face-to-face, so that was cool! Lynn Price of Behler Blog is an excellent resource for us wannabes, so go check her out.
And, of course, I mustn’t forget to mention the main reason I went to the con. On Saturday morning I pitched my book to three agents and two editors. The way it worked was, about an hour before the pitch session they let those who had booked for the session into a special room. (Security was tighter than it is at the airport – there was no way anyone got in without the special ticket.) I was one of the first in line (I was early for practically the whole conference!) so I got to sit in the front row of seats. Five minutes before the session started they opened the door, and every author present released their inner buffalo and stampeded for the pitch room. (Sometimes it helps to be on the wider side of chubby – I simply stuck out my elbows and didn’t let anyone pass me.)
The agents and editors were lined up in alphabetical order behind tables, about two feet apart…
They looked like this, only more lions and less grass. (Source)
… and we lined up in front of them, behind a strip of tape. A buzzer went off and the first writer in line scurried forward, sat down, and started talking really fast. Four minutes later the buzzer went off again and if they didn’t get their butt out of that chair immediately a volunteer came up and “persuaded” them, and then the next writer plopped down, while the seat was still warm. This went on for an hour and a half and then they kicked us out, and those who could still walk went and got drunk.
I’ll get the really embarrassing one out of the way first. Delegates got a list of all the editors and agents and what they were looking for, and on Friday morning there was a forum, where each editor/agent talked about what mattered to them and we wannabes frantically took notes. That’s what we used to figure out whom to pitch to. But in the middle of all this figuring out and lining up and scurrying forward to grab a warm seat and talking fast, I got a couple of the agents confused. Consequently, I sat down in front of a sweet lady who listened to the first half of my pitch and then said, “Ermmm … Is this a YA book? Because I do books for children and young adults.” I should have got up and walked away then, but instead I blinked, swallowed, and pitched her a YA book I haven’t looked at for about a decade because … lots of reasons; anyway, it is so not ready for publication. This time she didn’t interrupt me, but when I ran out of words she said, apologetically, “Ermmm … it sounds like a fantasy. I don’t do fantasy.”
So yeah, someone gave me a pity pitch.
The others went better. One agent wants to see a written proposal and 20 pages, another agent and an editor each want 50 pages, and an editor with purple hair wants the entire manuscript.
And it sucks so much!!! I feel like a con artist! Please note: this is not a request for Encouraging Words. This is real, but it’s okay. I confessed to the purple editor that the book needed a little work, and she said as long as she had it within six to eight weeks that would be okay. I’m going to assume the same is true for the others. So now all I have to do is write a novel in six weeks.
That sounds doable. No pressure. I’ll start work on the bible tomorrow.
What lifelong dreams are you getting ready to unleash? Is it scary for you too?